Greek Mythology

Warning Shots: A short monologue for young actors

What is this! Two blog posts in one week. What is this madness?

Well it’s been a productive week so far, in fact there may be another blog coming this week as well. You’ll just have to wait around and see won’t you?

Now, to get to the point of today’s posting. A couple of years ago, I saw an opportunity to write a short piece inspired by the American Civil War for a production in Washington DC. In response, I wrote Warning Shots. It is a dramatized retelling of the two attacks on Lawrence, KS before and during the Civil War; the first by “Border Ruffians” (pro-slavery supporters) the second by Confederate leader William Quantrill. In this monologuWare, a young girl named Aella (which means “whirlwind” in Greek and was the name of an Amazon warrior in Greek mythology) witnesses these attacks and tells her story and what she learned.

Warning Shots was performed originally by the EMU Theater company in Lawrence, KS in November of 2015 to great response. Since then, it has kind of sat on my shelf. But I recently asked the daughter of a friend to perform it for a recording. I then “sweetened”the recording and present it to you now.

Warning Shots performed by Jocelyn Goodwin, directed by William J Goodwin, produced and mixed by Everett Robert.

If you would like a copy of Warning Shots you can find it on my Scripts page, at New Play Exchange, or feel free to contact me directly. I am offering this script, FOR FREE to students, schools, and community theaters.

For I Am Zeus (A Review)

For I Am Zeus is a collection of 6 short plays in one collection by playwright Crystal Smith-Connelly that presents a humorous look at the amorous adventures of the Greek god Zeus and his sexual conquests.

I’m a big fan of ancient Greek comedy with their base and ribald jokes and social messages. Smith-Connelly seems to be influenced by them as well. These plays, while chock fill of jokes, looks at things like the bar scene, speed dating, marriage counseling, reality show television, and religion in general. Her writing suggests a familiarity with the original source material while maintaining her own unique voice and vision. And while some of the jokes are “dated”, they work because they are coming out of the mouth of a clueless braggart like Zeus.

I did notice some formatting problems, particularly in the latter plays in the collection. They weren’t major (extra spaces, extra return key strokes, a missing return key stroke) but I feel that I would be remiss not to mention them, but they didn’t take away from my enjoyment of Smith-Connelly’s plays. I will also mention that in one of the character descriptions, Zeus was mentioned as being in his 60s when in the previous ones he is mentioned as being in his 50s. Again, minor stuff here. I would have also liked a table of contents that linked me to each individual play so that I could reread certain ones again without have to page through the whole thing.

This is a piece I would love to see performed on stage sometime and I thoroughly enjoyed reading. It is a quick read and worth the hour or so it takes to read.

Crystal Smith-Connelly can be found at her website, Twitter, or on Facebook

For I Am Zeus can be purchased at Amazon, Createspace, Barnes & Noble, or Books-A-Million.